Creative Melbourne
Artists, makers & creative workArtists · Culture · Creative Places
Visual culture

True Fairies: building a campaign through set, costume and light

Branding, set design and photography combine in True Fairies’ staged woodland imagery.

A costumed figure amid foliage and bright floating particles.
A staged True Fairies portrait brings costume, foliage and lighting into one constructed setting.Photography by Jaccob McKay · Original collection ↗

A fictional setting made from real materials

The True Fairies collection creates a theatrical world through the relationship between a person, costume, foliage and light. No single element has to carry the whole idea. The atmosphere comes from their coordination.

Vessel Studio’s project record credits branding, set design and photography, while Jaccob McKay’s gallery shows portraits and closer details from the resulting collection.

A closer portrait within the True Fairies campaign.
A closer portrait within the True Fairies campaign.Photography by Jaccob McKay · Original collection ↗

Details make the larger scene convincing

A wider portrait establishes the setting. Close views of fabric, a hand and costume details then give it a more tangible scale. They show the material work beneath the overall effect.

That relationship is useful in any constructed campaign. A striking hero image may introduce the concept, but supporting photographs need something more to reveal. Texture, gesture and smaller props can extend the visual world without simply repeating the opening scene.

A hand and detailed costume texture.
A hand and detailed costume texture.Photography by Jaccob McKay · Original collection ↗

Keeping a staged collection coherent

The lighting and palette connect the photographs while their emphasis changes. Some concentrate on a face, others on the costume or the surrounding space. This provides variety within a recognisable direction.

The True Fairies collection is presented here as staged creative work. Its strength is the deliberate construction of an atmosphere, not a claim to document an unstaged event. For readers interested in production, the transferable idea is to develop the setting, wardrobe and photography as connected parts of the same brief.

A wider portrait in the constructed woodland setting.
A wider portrait in the constructed woodland setting.Photography by Jaccob McKay · Original collection ↗

Project credit

This publication is connected with Jaccob McKay and Vessel Studio. The feature examines their credited project work and is not an independent review of the client or its services.

Project & further reading

True Fairies — original project and image collection ↗

More stories

The journal ↗